No Cash No Family 16 in the Middle of Miami
"Work" | ||||
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Single past Iggy Azalea | ||||
from the album The New Classic | ||||
Released | 17 March 2013 | |||
Recorded | 2012–thirteen | |||
Studio | Rockfield Studios and Monnow Valley Studios (Wales) | |||
Genre |
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Length | three:43 | |||
Label |
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Songwriter(s) |
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Producer(due south) |
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Iggy Azalea singles chronology | ||||
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"Work" is the debut unmarried recorded by Australian rapper Iggy Azalea for her debut studio album, The New Classic (2014). It was released equally the album's lead unmarried on 17 March 2013. The track was written past Azalea, Trocon Markous Roberts, Natalie Sims, and The Invisible Men who produced it with 1st Downwards of FKi. Hailed by Azalea as her near personal song, "Piece of work" was adult with motivational and inspirational intentions to portray her life story; specifically dealing with her struggle as an upwardly-and-coming rapper, and her relocation from Mullumbimby, New Southward Wales to Miami, Florida at age 16. In sequence with its lyrical story, the snap and trap track begins with a deplorable-stringed verse segment earlier significantly increasing in tempo at its pulsate and synth-heavy refrain.
A number of music critics consider the song to exist amongst Azalea'southward best output, namely praising her period and the depth of the lyrical content. Commercially, "Work" became a sleeper striking; it peaked at number 17 on the United kingdom Singles Chart and number 54 on the US Billboard Hot 100, but was certified silverish and platinum by the British Phonographic Manufacture (BPI) and Recording Industry Association of America (RIAA), respectively. "Piece of work" became one of the lowest peaking songs to receive a sales certification in Australia where it reached number 79 and was certified gold by the Australian Recording Industry Association (ARIA).
An accompanying music video was directed past Jonas & François and released on 13 March 2013. Inspired by several films, information technology features Azalea performing twerking sequences and a recreation of Vanessa Ferlito's lap dancing in the 2007 moving picture, Death Proof. The video earned Azalea a nomination for Artist to Watch at the 2013 MTV Video Music Awards, and was praised by critics for its fashion, and portrayal of the vocal'due south lyrics. Among her live performance staples, Azalea promoted the single with live renditions on United kingdom of great britain and northern ireland & Ireland'due south Next Top Model and Nikki & Sara Live. Information technology was besides included in the set list for her The New Classic Tour (2014). A number of remixes were commissioned for the single's release, including an official remix featuring American rapper Wale.
Background [edit]
During Dec 2012 and Jan 2013, "Work" was developed by Iggy Azalea as one of the first iii songs for her debut studio album, The New Classic.[one] The song was written in Wales during a menstruum of heavy rain which inspired her to create a runway that was "sad, but in a weird way, like happy or calming or sort of peaceful".[2] With the track, she wanted to give every bit much information as she could about herself to detract her listeners from being influenced by criticism and tabloid journalism about her; she disliked the idea of revisiting her past, but felt that it was necessary for her listeners to relate with.[2] [3] Existence her first autobiographical vocal, Azalea encountered difficulty during its writing because of the personal subject matter which she felt she could non fit into a vocal on its ain.[iv]
Azalea wrote the song with The Invisible Men, Trocon Markous Roberts and Natalie Sims.[5] Sims stated that she, FKi, and Azalea had initially met dorsum in 2008, but lost touch when Azalea moved to Los Angeles.[6] [7] The track specifically drew inspiration from a period when Azalea suffered from low, and dropped out of high school to become a domestic worker with her mother.[8] Azalea saved money for a flight ticket to Miami and left Mullumbimby, New South Wales before she turned 16—an upshot referenced in the song's lyric "No money / No family / 16 in the middle of Miami" which Azalea felt "said it all".[iv] [9] For this reason, she chose to write and record "Work" in isolation in Rockfield, Monmouthshire, with no phone reception, visitors or interruptions.[five] [10] [11] She felt every bit a location information technology would help her retrieve the personal struggles she wanted to write well-nigh on the song. Azalea too believed that her all-time output was produced when in an surroundings outside her comfort zone.[12] Her vocals were recorded at Rockfield Studios and Monnow Valley Studios.[five] Sims, who abandoned four bout dates in order to fly over to Britain to join Azalea,[7] commented on her own involvement in the vocal that "Fresh out of a breakup and depressed I spent a month in London in a modest ten×10 studio somedays writing and writing and writing… Regardless of whether or non you similar the content the song told Iggy's true story of struggle sacrifice and hard work every bit an artist."[six]
Musically, Azalea found inspiration for the composition in the chord progression featured in Outkast's "B.O.B" (2000).[xiii] "Work" was produced by The Invisible Men and 1st Down of FKi.[5] Azalea stated that the producers "plant a eye ground" on the vocal, with 1st Downward being responsible for its "cool alternative sound", and The Invisible Men creating its "more than commercialised, cleaner [and] sleeker audio".[fourteen] Anthony Kilhoffer completed the mixing process, with the assistance of Kyle Ross, at The Mix Spot in Los Angeles.[five] Following the song's completion, Azalea felt that it achieved the goal she ready for its parent album, and denoted information technology as the record's near important and vulnerable moment.[3] [15] She has also cited it as her most personal song and the vocal she is most proud of.[16]
Composition [edit]
"Work" is a snap and trap vocal which incorporates elements of EDM.[17] [xviii] Nina Long of Respect. describes it equally the "polar contrary" of Azalea's previous textile.[nineteen] The track opens with Azalea challenging "Walk a mile in these Louboutins", upon a sweeping keyboard introduction and balladic beat.[twenty] [21] It then leads into a similarly lamentable, string-laden offset verse segment containing plaintive melodies.[18] [20] [22] According to Gregory Adams of Exclaim!, the song "starts off smooth and ballady, with Azalea running through lines about her background, but soon drops into lodge-minded claps and screeching synths".[23] A prominent synth, bass and drum-heavy production drop formula then occurs at the song's refrain, in which Azalea repeats the hook, "I been work work work piece of work, workin' on my shit".[18] [24] [25] [26] The product drib casts Azalea'due south rapping confronting a combination of a Roland TR-808-heavy, minimal trap shell and EDM clapping effects.[18] Using divisive Southern American English pronunciation, Azalea employs a defiant and rattling, staccato delivery in double-fourth dimension.[21] [27] [28] Her rapping pace varies from fast, intricate rhymes to tiresome, stretched-out atypical words.[29] While in the verses, her delivery is expletively riddled.[30]
The lyrics are autobiographical and portray Azalea'south fame-seeking relocation from Mullumbimby to Miami at the historic period of 16, and bargain with subjects of work ethic and dedication to craft.[22] [31] Information technology specifically accounts for the events of Azalea growing upwardly in Mullumbimby, juggling multiple occupations to save an income to independently start afresh in Miami.[32] The lyrics also serve as a celebration of Azalea's progression from being a struggling rapper every bit a rags to riches story and an underdog anthem.[28] [33] [34] The line "Who don't know shit 'bout where I was made / Or how many floors that I had to scrub," was suggested to be directed at her "haters".[35] While the couplet, "Two feet in the red dirt, school skirt, sugar pikestaff, back lanes" is eloquent for Azalea'due south origin.[36]
According to Jessie Schiewe of Respect., the lyrics also imply that Azalea "was swindled and take advantage of in her first record deal", and that information technology provides insight into events that have toughened Azalea up.[xv] While Cristina Jaleru of The Associated Press deduced that the lyrics "Get-go deal changed me, robbed blind, basically raped me / Studied the Carters till a deal was offered, slept common cold on the floor recording," are rapped "non as a complaint only as a badge of honour".[37] Nick Aveling of Time Out writes that Azalea is depicted as a "hustler" and a "woman with immense ambition" in the song.[8] In a NPR publication, Ann Powers viewed the lyrics to be of "unremitting toil", likewise every bit detailing a story of Azalea "staying up night afterwards night to principal her flow".[38] John Lucas of The Georgia Direct compared the lyrical content to that of Drake'due south "Started from the Bottom" (2013).[39] According to Matt Jost of RapReviews.com, "Work" is like to the works of two Live Crew and is a "nod to Miami's music history".[40]
Release [edit]
"Work" served every bit Azalea's debut single every bit a lead artist, and the lead unmarried from The New Archetype.[41] Following its premiere on BBC Radio 1Xtra on 11 February 2013, Azalea tweeted, "Thanks for supporting me and I'1000 happy to have a first single near my story and non something meaningless i hope it inspires and motivates".[20] Her characterization after appear that an extended play (EP) for the unmarried would be released on 8 April 2013.[42] Azalea posted a timed preview of "Piece of work" on SoundCloud on 24 Feb 2013.[43] The following day, Azalea announced on Twitter that the song would be digitally released within the first week of March 2013.[44]
"Work" was released as a digital download on 17 March 2013 in the United Kingdom.[45] A digital EP—which included remixes by Jacob Institute and Burns—was then made available on 7 April 2013.[46] In the United States, the vocal impacted rhythmic contemporary radio on 25 June 2013.[47] An official remix featuring American rapper Wale was premiered by Samsung on 28 June 2013. In the remix, Wale performs a 16-bar rap in place of Azalea's second poetry in the song.[48] The remix was well received by reviewers from Idolator,[49] Rap-Upwards,[50] The Line of Best Fit,[51] and XXL.[26] A 13-track remix package and the Wale remix was then released in the U.s.a. on sixteen and 23 July 2013 respectively.[52] [53]
Critical reception [edit]
"Piece of work" received universal acclaim from music critics. In a Billboard publication, Robert Christgau chosen the song "first-class" and "something [Azalea] wants united states to call back", and commented: "Yous desire authentic? Iggy Azalea has all the lineaments of a hazard-taking young insubordinate without a well-off family to back her up."[54] Christgau went on to praise the runway's hooks, and explained: "The hooks, of course, are i reason difficult dice-hards put her down—in the truimpant Muddy S manner, her hip-hop is radio-friendly as a affair of principle. The cumulative weight of the long-player they never think about."[54] Monica Herrera of Rolling Stone chosen the song "a bombshell-next-door move that demands attending".[55] Matt Orkine of Triple J listed it every bit the year'south ninth best unmarried, and viewed it as a "straight-up banger" and his "guiltiest music pleasure of 2013".[56] Kellan Miller of XXL accounted it "the vocal that made the earth autumn in love with Iggy all over again".[57] Justin Monroe of Circuitous chosen information technology the anthology's "infectious and incomparably less weird first single", and complimented its power to provide listeners with a sense of Azalea's groundwork.[28] While Sam Weiss of the same publication described the song "as wild and eccentric as annihilation she'due south washed so far".[44]
Slant Magazine 'south Joe Sweeney felt that "Piece of work" was the anthology's standout rails and believed that it portrayed a real sense of Azalea's potential as a storyteller, and commended her commitment, "Yous tin can hear every inch of how far she's come".[21] Sweeney'south view was shared by Andy Gill from The Independent who also named "Work" the highlight on The New Classic, and said Azalea'south double-time delivery was best-employed on the song.[32] HipHopDX'south Marcus Dowling wrote that "Work" was "an extraordinarily well-rounded listen" and the "honest and intriguing greatness" of The New Classic.[eighteen] Dowling commented that the line, "No money, no family, sixteen in the middle of Miami", provided an "ocean of depth [...] that makes the remainder of the anthology experience like swimming in a kiddie puddle".[eighteen] Matt Jost of RapReviews.com concurred, and called the vocal "the sure winner" and "lyrically most ambitious offering" of the album.[40] Jost opined that the rail was "memorable" and its product "cleverly subverts expectations", and explained, "It'south when she keeps it simple and relies on her indeed nowadays swagger that the Iggy Azalea character works best".[40] Similarly, Alex Scordelis of Paper described the rails equally "the cornerstone" of the album and complimented its "insanely catchy chorus".[58] Scordelis believed it marked a heightened evolution in Azalea's growth as a rapper, and stated, "['Work' is] a song you tin easily imagine Azalea performing for years to come up".[58]
"Work" was positively reviewed by writers of Entertainment Weekly; Kyle Anderson opined that the track was "a thoroughbred entry in the vocal of summer race",[59] while Ray Rahman called it a "bulletproof party banger".[60] Devone Jones of PopMatters viewed Azalea'due south "sombre thought-processing" as "well-executed", and appreciated her for "picking gritty gangsta-pop [sic] beats over EDM and trip the light fantastic music likewise as deciding to rap virtually her life before her new-institute fame equally opposed to her fame".[61] Likewise, Craig Mathieson of The Sydney Morning Herald explained that the song highlighted Azalea's "ability to meld the club music sounds that are permeating American hip-hop and pop into something unexpected and affecting".[62] In an October 2013 publication, Kitty Empire of The Observer wrote that "Work" was "ear-catching", and contained Azalea'due south "best-known zing"; "Valley girls giving blowjobs for Louboutins / What practise you call that? / Caput over heels?".[63] In 2014, Nolan Feeney of Time said "Work" was "by far the best affair she'south done", and highlighted Azalea's conviction and "rapid-fire" delivery,[64] while Digital Spy's Lewis Corner felt the song "remains ane of [Azalea'due south] finest moments".[65] In 2015, NME ranked "Work" third in their list of Azalea'due south best songs, behind "Fancy" and "1 800 Bone".[66]
Commercial performance [edit]
Commercially, "Work" was a sleeper striking and Azalea's breakthrough into mainstream success.[67] In Australia, the song bowed at number 88 on the ARIA Singles Chart issued for 23 April 2013, but re-entered more than a twelvemonth later to pinnacle at number 79 for the chart dated 9 June 2014.[68] [69] The rails was certified gold by the Australian Recording Industry Association (ARIA) for selling 35,000 copies; it became one of the everyman peaking songs to receive a sales certification in the land.[70] The track debuted at number 98 on the Irish gaelic Singles Chart dated iv Apr 2013, and reached a peak of number 42.[71] [72] On the United kingdom of great britain and northern ireland Singles Nautical chart, the song entered at number 55 and peaked at number 17 in its sixth week.[73] [74] The song spent a total of xiii weeks on the chart.[73] It was certified silver by the British Phonographic Industry (BPI) for selling over 200,000 units.[75]
In the United States, "Work" first charted at number 7 on the Bubbling Under R&B/Hip-Hop Singles chart issued for 20 July 2013.[76] [77] Following a 156% sales resurgence spurred by Azalea'due south appearance and nomination at the 2013 MTV Video Music Awards, the song debuted at number 4 on the Bubbling Nether Hot 100 Singles chart.[78] [79] On xiii August 2013, Billboard reported that the track percolated below the Rhythmic nautical chart.[80] Information technology was more successful on the Dance Club Songs chart where information technology peaked at number 5 for the week-ending 5 Oct 2013.[81] In May 2014, the vocal received a 2d sales resurgence following the release of The New Archetype and the success of Azalea'southward 2014 singles "Fancy" and "Trouble".[82] Information technology went on to peak at number 54 on the Billboard Hot 100 where information technology accumulated a total of xx weeks on the chart.[83] The sales resurgence as well saw the single attain a new superlative of number xiv on the Hot R&B/Hip-Hop Songs chart, where it initially bowed at number 35 in September 2013.[84] [85] In September 2014, the track was certified platinum by the Recording Industry Association of America (RIAA) for sales of over 1 million units.[86] In Jan 2015, Billboard named it one of the biggest hits to have peaked at number 54 on the Billboard Hot 100.[87] In Canada, "Work" debuted on the Canadian Hot 100 at number 98 for the week-ending 27 September 2014, and reached a acme of number 87.[88] [89] It was certified aureate by Music Canada (MC) for selling more than twoscore,000 copies.[90]
Music video [edit]
Background and evolution [edit]
The accompanying music video for "Work" was directed past Jonas & François and filmed in Hollywood and Lancaster, California in February 2013.[91] [92] A budget of nigh $100,000 was used for the production.[93] Initially, Azalea wanted to provide a literal representation of the song, and planned to shoot the clip in Australia, merely time constraints prevented her from travelling to the country.[94] Accordingly, a desert location was chosen to emulate Azalea'south hometown, Mullumbimby.[91] Prior to the video'southward filming, Azalea felt she grasped the concept of what fabricated a good music video and what viewers wanted to encounter in the clip for "Work". In turn, she combined several different ideas into the visual because she feared that a music video budget of the aforementioned calibre would not ascend in futurity.[95]
One of Azalea's ideas was to pay homage to the Australian film The Adventures of Priscilla, Queen of the Desert (1994), as its theme of discrimination was one she identified with as a rejected and struggling rapper.[96] Two scenes in the music video drew reference from the film: the fire swing segment emulated the film's blaze scene, and the convertible segment represented the moving-picture show's bus.[94] Done colour elements were also implemented into the convertible scene which was inspired by the 1998 film Fear and Loathing in Las Vegas.[97] Another idea Azalea incorporated into the clip was the large-scale neon qualities featured in Outkast's music video for "B.O.B". Azalea stated that the featured lap dancing originated from Vanessa Ferlito'south "infamous" scene of the same action in the 2007 moving-picture show Death Proof.[96] She constitute Ferlito's lap trip the light fantastic highly-seasoned, but was convinced to recreate it for "Work" subsequently she noticed its popularity through remakes of information technology on YouTube.[95]
Controversy arose during the music video's development when Azalea intended to vesture a red, high-waisted leotard encrusted in rhinestone flames, to emulate the showgirl style featured in The Adventures of Priscilla, Queen of the Desert. The leotard, however, was accounted "too-vaginary" past ane of the workers at the characterization Azalea was signed to, ultimately leading to the worker beingness dismissed from the projection and the leotard beingness scrapped altogether.[93] Azalea's last wardrobe consisted of creations by Christian Louboutin, Jeremy Scott and the 2013 Spring/Summer Collection past Dolce & Gabbana.[43] [98] Her stylist, Alejandra Hernandez incorporated several pairs of Louboutins into the music video because of their significance to Azalea when she was a struggling rapper who accomplished her first sense of achievement after buying her showtime pair.[43]
Synopsis [edit]
The music video'south storyline depicts Azalea'due south biographical journeying from life on the streets to Hollywood.[98] According to Natasha Stagg of American mag V, the plot involves Azalea rising from "trailer park standby to high-class Hollywood-ite in a matter of minutes".[99] The music video opens with Azalea confidently walking on a deserted highway situated in a desert surround. Azalea's costume includes dark red lipstick, red-soled vertiginous Louboutins, a powder blue Givenchy pocketbook, a tropical impress brassiere and shorts. The scene is intercepted with visuals of burning shoes and wheels. Azalea so walks through a trailer park community where several locals stare at her equally she passes by.[23] Upon the beginning of the song's chorus, the video transcends into a playground scene where Azalea dances in an evening setting, with a burn down-lit swing as her backdrop. In this segment, she wears a grey crop pinnacle and red slim-fit pants, with her hair styled in a bun. The next scene involves Azalea performing in a dance-off with her 2 female person friends in forepart of a Freightliner Truck.[100] Azalea sports a plum-coloured fur glaze over a white mesh swimsuit.[101] In the segment, the three engage in twerking and hair flicking deportment.[102]
The visual then returns to the trailer park setting, where Azalea rides a lowrider bicycle through the area.[97] She wears a perforated yellowish visor, black brassiere, spiked yellow Louboutins and ethnic slim-fit pants.[100] [101] The video then enters a new scene where Azalea arrives at a dive bar and switches a jukebox on. At the bar, Azalea's two friends from the Freightliner Truck scene are seated at a table, and a long-haired man wearing night sunglasses awaits her on a chair in the centre of building. Azalea, dressed in a palm tree bikini and xanthous neon shorts, performs a lap dance for the man. She then steals his motorcar keys and runs off with her friends, who drive the human being'southward convertible out into the desert.[97] Azalea is seen standing in the car, waving a thin piece of material in the air current. They drive through a day and night menses before arriving in Hollywood in the morning. Azalea's friends then drop her off at a sidewalk, where the video ends with her walking in the city. She wears nighttime sunglasses, striped black-and-white shorts and a custom-made dalmatian-print blazer in the final scene.[100] [101]
Release and reception [edit]
On 4 March 2013, Azalea posted a set of images from the clip on Instagram. The music video was initially scheduled for release on 11 March 2013,[43] though information technology premiered two days later on Vevo on 13 March 2013.[eighty] A behind-the-scenes segment was released on three April 2013.[91] An alternate video directed by Colin Solal Cardo for an unreleased Adidas commercial surfaced online on 12 Apr 2014.[103]
Upon release, the music video was tagged with the warning "not suitable for piece of work".[43] It received praise from critics and was nominated for the MTV Video Music Award for All-time New Artist at the 2013 ceremony, but lost to Austin Mahone's "What About Love".[104] The visual also received iii nominations at the 2013 UK Music Video Awards, in the categories for Best Styling in a Video, Vevo Best New Artist and All-time Urban Video.[105] Slant Magazine ranked the video at number 21 in their listing of The 25 All-time Music Videos of 2013; writer Sal Cinquemani stated that Azalea's swing prepare conjured that of Madonna's "Like a Prayer" (1989) and George Michael's "Freedom! '90".[106]
Shardae Jobson of The Source deemed Azalea's fashion "stylish" and "rustic".[107] A author for MuchMusic described the clip as "a full and complete visual trip jam-packed with Iggy's rad dance moves".[98] Natasha Stagg of V called information technology a "desert dream" and appreciated Azalea'south "killer outfit options".[99] British mag Fact wrote that the visual was "flashy" and "trailer park elegance", and compared it to G.I.A.'s "Bad Girls" (2012).[17] Julian Rifkin of Oyster viewed it every bit "a high class production" and felt information technology emulated the song's lyric "Valley girls giving accident jobs for Louboutins".[92] He likened the clip's dancing to that of Beyoncé, and Grimes' "Genesis" (2012). Rifkin considered the production's Mid West theme to recall Lana Del Rey's "Born to Die" (2011).[92] Contactmusic.com said the music video told an inspiring story of Azalea working her way up from the bottom.[108] Jessie Peterson of MTV News chosen Azalea'south wardrobe "subtly savvy".[101] Eric Diep of XXL stated that the clip was worth the wait, and described Azalea's "sexy poses and lap dances" as "just the tip of the iceberg".[109] Diep praised Azalea'due south story interpretation, and mentioned, "Pledge allegiance to the struggle, this daughter knows how to work information technology".[109] Jessie Schiewe of Respect. complimented the video for revolving around Azalea and paying homage to the song'south lyrical story, and praised the rapper's lap dancing scene.[fifteen] Kyle Anderson of Amusement Weekly felt the video evoked the 1991 film Thelma & Louise and commended Azalea's "full run of frame-grab-worthy outfits".[110] The music video has received over 280 1000000 views on YouTube as of November 2017.[111]
Live performances and usage in media [edit]
Azalea first performed "Piece of work" during the Manchester-stop of Rita Ora's Radioactive Tour on 29 January 2013.[112] She reprised the song until the bout's final date in mid-February, earlier performing information technology again during the European leg of the Nas' Life Is Good Bout.[94] Azalea went on to perform the vocal for her sets at The Great Escape Festival and Radio 1's Large Weekend in May 2013,[113] [114] and at Gucci's Chinkle for Change Concert, The Parklife Weekender and the Glastonbury Festival in June 2013.[115] [116] [117] The song was and so performed at the Wireless Festival, and London nightclubs G-A-Y and Fabric in July 2013.[118] [119] [120] Azalea gave her first live televised rendition of "Piece of work" on 8 August 2013 on Britain & Ireland'due south Next Top Model.[121] As office of the single'due south promotion in the Usa, Azalea performed "Piece of work" on Nikki & Sara Live on 28 August 2013,[122] and for KIIS FM on xiv September 2013.[123] The song was likewise included in Azalea's set list at the 2013 iTunes Festival, where she was a supporting human action for Katy Perry.[124] In Oct 2013, Azalea performed the track as role of her sets during Beyoncé's The Mrs. Carter Prove Globe Tour.[125] At the 2013 MOBO Awards, Azalea performed "Change Your Life" and "Piece of work".[126]
In 2014, "Work" featured in the set list for Azalea's first headlining tour, The New Archetype Tour.[127] A number of the bout'due south renditions of the track featured an interpolation of RuPaul'due south "Supermodel", and a Miami strip-inspired stage backdrop as a reference to the song's "No money, no family unit, xvi in the middle of Miami" line.[128] [129] She also performed the vocal during her ready for the 2014 MtvU Woodie Awards at Due south by Southwest in April.[130] On fifteen May 2014, Azalea performed the vocal on Jimmy Kimmel Live!. The rendition was praised by reviewers from Exclaim!,[131] Vibe and Idolator.[132] [133] On eight August 2014, Azalea performed the song during her set on The Today Show.[134] Jim Farber of the Daily News noted that the rendition "put the emphases on a pre-recorded trounce and the star's personality", and that Azalea'due south "but whiff of pretence" during the set came in "a few lines in 'Work'".[135] Azalea afterward included the song for her sets during the Jingle Ball Tour 2014.[136] In 2015, Azalea performed "Work" equally part of her set lists at the Redfest in February,[137] and the Ottawa Bluesfest and Quebec City Summer Festival in July.[138] [139]
Selena Gomez covered "Work" in a mash-up with her song "B.E.A.T.", during her 2013 Stars Trip the light fantastic Tour.[140] [141] Contestants Bridget Whitman and Emilio Dosal performed a trip the light fantastic toe to "Work" during an episode of the eleventh American series of So Y'all Retrieve Y'all Can Dance which aired on 9 July 2014.[142]
Track listings [edit]
|
|
- ^a signifies a make clean version.
Credits and personnel [edit]
- Iggy Azalea – writer, vocals
- The Invisible Men – writers, producers, drums, programming, keyboards
- Trocon Markous Roberts – writer
- Natalie Sims – writer
- 1st Downwards of FKi – producer, drums, programming, keyboards
- Anthony Kilhoffer – mixing
- Kyle Ross – mixing banana
Credits adjusted from the album's liner notes.[five]
Charts [edit]
Certifications [edit]
Radio and release history [edit]
References [edit]
- ^ Anderson, Kyle (eleven Apr 2014). "Iggy Azalea on chicken franchising, Australian rap, and learning from Beyonce: An EW Q&A". Entertainment Weekly . Retrieved 8 May 2014.
- ^ a b Azalea, Iggy (14 Apr 2013). "Behind the Stripped" (Interview). Interviewed by Vevo Elevator United kingdom. London: Vevo.
- ^ a b Stemer, Zak (26 April 2014). "Classic Iggy Azalea". Chicago Sun-Times. Archived from the original on 12 May 2014. Retrieved 8 May 2014.
- ^ a b Buck, DJ; Barrow, Nancy; Franchize, Joey (25 June 2013). "Iggy Azalea Talks 'Work,' Rumors & Her Dirty Mouth". WZMX. Archived from the original on 12 May 2014. Retrieved viii May 2014.
- ^ a b c d e f The New Classic (Media notes). Iggy Azalea. Mexico: Virgin EMI Records. 2014. p. 7. 3781892.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b "Natalie Lauren Details Her Human relationship With Iggy Azalea". Jam the Hype. 21 October 2014. Retrieved 1 March 2016.
- ^ a b Daniels, David (four February 2015). "Christian songwriter Natalie Lauren maneuvers working for Iggy Azalea, Lecrae". Rapzilla . Retrieved ane March 2016.
- ^ a b Aveling, Nick (7 October 2013). "Iggy Azalea interview: 'Sometimes I feel like Australians tin become fuck themselves'". Time Out. Archived from the original on 14 July 2014. Retrieved 8 May 2014.
- ^ Leconte, Julia (24 April 2014). "Iggy Azalea". Now. Archived from the original on 4 May 2014. Retrieved 8 May 2014.
- ^ McGuire, Michaela (vii November 2013). "Iggy Azalea says record characterization 'made me disposable'". The Sydney Morning Herald . Retrieved 15 September 2015.
- ^ Davies, Becky (25 Apr 2015). "I From the Archives: The Interview: Iggy Azalea". Hunger Goggle box. Retrieved 15 September 2015.
- ^ "Thunder from Down Under". The Ticket. 5 July 2013. p. 4.
- ^ "Iggy Azalea". Original Penguin. 2 May 2013. Retrieved eight May 2013.
- ^ Miller, Adam (fourteen October 2013). "Interview: Iggy Azalea Talks Supporting Katy Perry, New Single 'Change Your Life,' Album Delay and More than". Entertainmentwise. Archived from the original on xiii May 2014. Retrieved viii May 2014.
- ^ a b c Schiewe, Jessie (28 April 2014). "Album Review: Iggy Azalea's The New Classic". Respect. Retrieved viii May 2014.
- ^ Rubenstein, Holly. "Iggy Azalea". Idol Magazine. Archived from the original on 24 February 2014. Retrieved 8 May 2014.
- ^ a b "Watch the flashy video for Iggy Azalea's 'Work'". Fact. United Kingdom. 13 March 2013. Retrieved ix May 2014.
- ^ a b c d due east f Dowling, Marcus (21 April 2014). "Iggy Azalea – The New Archetype". HipHopDX. Retrieved 9 May 2014.
- ^ Long, Nina (12 February 2013). "New Music: Iggy Azalea – 'Work'". Respect . Retrieved 9 May 2014.
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External links [edit]
- "Piece of work" music video on YouTube
Source: https://en.wikipedia.org/wiki/Work_(Iggy_Azalea_song)
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